The Rehearsal: A Trilogy

  • Show duration: Total Length: 3 hours 20 minutes, individual parts 50 minutes each
  • Number in company: 6
  • Get-in time: 1 day
  • Type of work/venue/location: Small, site specific, bar
  • Available to tour: From Spring 2008

The Rehearsal (a trilogy)
Performed live in the bar! (Beer provided)
Three shows available for touring from Spring 2008
In a bar at the end of a long night’s drinking two performers collaborate with their audience in the planning and rehearsal of a theatrical performance event. This is a rehearsal of a ‘new’ show but also a rehearsal of, and an attempt to come to terms with, the inevitability of the death of ourselves and our loved ones. This is a unique show offering a contemplation on creativity and the inevitability of mortality.

“There’s something about imagining it that makes the reality of it not so bad, that means you’ll be able to cope with it when it happens, but there’s also the fear that if I think hard and strong enough about it, I could bring about the potential deaths of my loved ones…. There’s something about when those real experiences happen that you think its not happening to you, its happening to someone else, or you’re in a film, or you’re in a play…”

But this is a unique performance, with three versions of the show available as a trilogy, each performed by a different couple, two fifty-something men (Death Rattle: the rehearsal of a radio show), a couple (Clinging On: the rehearsal of a relationship) and two twenty-something women (Happy Hour: the rehearsal of a ‘physical theatre’ show). Each show is related to the others around a common theme and structure, but each show comprises a radically different reflection on, and rehearsal of, the processes and potentialities of dying.

Pigeon Theatre are a Manchester based physical performance company. Using their unique, distinctive and bizarre physical performance style, the work is highly interactive and, especially when viewed as a trilogy, provides an insightful contemplation on time, death, memory and imagination. Fuelled by alcohol this is an erotic, exhilarating, exhausting and excessively intimate show in a real bar.

The characters seduce and intimidate with their intense eye contact, and it is so intimate, you could put your arm around them in their grief – if you were brave enough. Despite the uncomfortable moments and the uncertain prospect of being handed a script, if you didn’t engage with this captivating show, then you can stop daydreaming… you are already dead. (Sara Newman, BBC online 4/07/07)

You can book just one of these shows if you wish, but we are offering this unique performance event as a trilogy. The Rehearsal is site-specific and so ideally needs to be placed in a bar at your venue (if there is no bar at your venue there is an option to set up a bar in a studio space). Each show runs at 50 minutes so could run in the bar alongside main house performances.

“[a] cosy piece, where performers use their bodies to bend, lope and slam their way around the space in a dizzying display of balance” Metro
“a pocket masterpiece” Stage
“be dazzled, challenged, amused and perhaps even a bit frightened” Manchester Evening News
“inspiring and inclusive” Manchester Evening News

Pigeon Theatre

Established in 2001, the company has made small and medium scale performance work and has performed at a number of venues including: greenroom; Manchester International Festival 2007; Library Theatre, Manchester; Stamford Arts Centre; Alsager Arts Centre; Jerzy Grotowski and Thomas Richards Workcentre, Pontadera, Italy; Charter and Guildhall, Preston; Art 06, Preston; Art 05, Liverpool; Wickham Theatre, Bristol; Edinburgh Fringe Festivals 2003 and 2005; International Theatre Festival, Amsterdam; National Review of Live Art; Xtrax Festival, Manchester; Frontiers International Theatre Festival, MMU; Street Level Arts Festival, Whitstable; Commonwealth Games Arts Festival, Manchester; eXpo, Nottingham; Axis Arts Centre, Crewe; stage@leeds

2002-3: the HOUSEKEEPER, set in a kitchen, thematically looked at the ways in which women are represented socially and culturally by deconstructing the processes of domestic labour.

2004-5: the HEIST ACADEMY, set in/around a large wooden box, explored the generic paradigms of the Heist movie through a vast multi-media project.

2005-6: the REHEARSAL (part 1), set in a bar. The first part of what was to be a trilogy was premiered at Edinburgh and then toured the UK.

2007-8: the REHEARSAL (a trilogy), set in a bar, is a three part performance based on verbatim interviews with over 50 differently aged and gendered individuals and is performed by differently aged and gendered couple s (two young women, a middle-aged couple and two older men). Each show makes radical reflections on and interventions into the other shows, but can be experienced individually.

2008-09: the LITTLE SLEEP, a studio-based theatre show in-the-round commissioned for greenroom’s 25th anniversary season, featuring a fully functioning kitchen & cookery demonstration on-stage with audience participation - this show explored the friendship between two women, influenced by film-noir, hard-boiled fiction, Nigella Lawson & Delia Smith.

2009-10: A BIG CONCEPT AND A VERY LITTLE DETAIL, sound installation featuring a commentary of ‘big ideas’ and the ‘little details’ that surround them. Pigeon Theatre wrote to 250 specialist contributors to ask them about big ideas in their field of research. The resulting work featured “Why the Nile is blue” and “Why do nightingales keep the CERN scientists up at night?”.

2010 & 2011: the ART OF CONVERSATION, two all-female community projects commissioned by greenroom and facilitated by Pigeon Theatre. Over a ten week period 20 women asked questions about how conversation can be seen as a creative act rather than a mundane act; each project culminated in a public performance and installation. We are in discussion with Manchester City Council about continuing this project with a third group in 2012 following the demise of greenroom.

2010 & 2012: the TWICE REMOVED, 2010 preview tour to stage@leeds, Axis Arts Centre and greenroom; spring 2012 tour tba.

 

Video

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Gallery

[Show picture list]

One comment on “The Rehearsal: A Trilogy”

  1. Tamsin Drury says:

    Endorsed by: Garfield Allen, greenroom garfield@greenroomarts.org
    Neil Mackenzie, Alsager Arts Centre n.k.mackenzie@mmu.ac.uk

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